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How Writing Radio can Help You Become a
Better Writer
by Michele Pariza Wacek
Knowing how to write, and write well,
is a skill that will come in handy in all sorts of situations. And if
you combine good writing skills with the persuasive selling tactics
found in, say, copywriting, you'll be that much more ahead of your
competition.
Of all the different types of writing
I've done in my life (and believe me, I've tried practically all of
them) writing radio has made one of the bigger impacts on my writing
style.
Below are three ways writing radio can
help strengthen your writing style. (Oh, and these tips will also help
you write better radio copy too.)
1. Follow the rules. Sometimes
rules are good. Especially rules that force you to write a certain way.
(Think poetry - mastering those rules can have an amazing effect on your
writing style.) Rules require you to slow down and think, to analyze
your word, sentence, grammar, punctuation, etc., choices. And that can
be very beneficial to your development as a writer.
Radio is short. You have to write
something that fits into a 30- or 60-second slot. Not a lot of time or a
lot of words. In that 30 or 60 seconds, you need to capture the
listener's attention, explain why they should be interested in buying
what you're selling, then let them know what you'd like their next step
to be. Oh, and did I mention you need to have the business name in there
at least twice and probably a tag line as well? And don't forget about
music. Or sound effects.
Now the beauty of this is once you've
mastered radio rules, you can apply it to all sorts of things. A
30-second pitch for your business you can tell people at networking
events. A 15-second introduction before a speech. A quick product spiel
for your voice mail. A 15-second pitch for your novel to spit out at
agents and editors at writers' conferences. The possibilities are
endless.
2. Forces you to write tight.
Remember, radio is short. Yet, there's still a lot you have to shove
into it. So what's the solution? Absolutely no extra words allowed.
Be brutal. Cut out anything you don't
need. In fact, radio is where I first learned to start cutting "that"
out. Most "thats" you don’t need, and nothing shows you this like radio.
Here's how I write radio. I start with
a first draft. I read it over. I think it's pretty good - I have all the
salient points in there. I read it out loud.
Now the fun begins.
Usually it's too long. You see, I time
myself reading. So I have to start chopping words.
When you have to make a script fit into
a certain time frame, it's amazing how many words you suddenly discover
can be deleted. Or replaced with simpler, shorter words. Or how many
sentences can be trimmed. Or phrases made more concise.
As you can imagine, writing radio has
really honed my editing skills.
3. Writing for the ear. Writing
for the ear is different than writing for the eye. The eye is far more
forgiving. Oh that sentence is a bit too long, but it's okay. Hmm, yes I
do see that awkward phrase, but I'm fine with it.
Not the ear. The ear is brutal. It's
like one of those headmasters from a Dickens' novel, standing in front
of the classroom with a stick and banging it every time a student
stutters on an answer.
The ear catches everything - sentences
that are too long and don't allow you to take a breath; sentences that
don't flow properly; long, complicated five-dollar words that twist the
tongue in a knot and much, much more.
Focus on writing shorter sentences.
Simpler sentences. Vary your sentences. Use simple words.
And that's just plain good old writing
advice no matter what you happen to be writing.
Creativity Exercises - Write a Radio Ad
Now it's your turn. Time to sit down
and write a radio ad.
First, choose something you want the ad
to be about. Maybe one of your products or services. But choose only
one. More than one and you're just asking for trouble. (Rule of thumb --
one message per ad. No more. Otherwise you run the risk of losing your
target market. Pick one message and make it very simple and very clear.)
Now do what I do. Write the ad. Start
by keeping it under a general word count -- 100 words for a 30-second ad
and 190 words for a 60-second spot.
Finished your first draft? Great. Now
read it. And time yourself. (Those clocks on the computer desktop are
great for this.)
What, you went over your limit? Better
start cutting. See how many words you can take out and sentences you can
tighten. Or replace words and phrases with something shorter.
Now read it again. Still too long? Or
maybe now it's too awkward. See previous paragraph. Keep repeating until
you end up with something that sounds smooth and fits in the allotted
time.
Michele Pariza Wacek owns
Creative Concepts and Copywriting, a writing, marketing and
creativity agency. She offers two free e-newsletters that help
subscribers combine their creativity with hard-hitting marketing and
copywriting principles to become more successful at attracting new
clients, selling products and services and boosting business.
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